Artists and the Front Lines of Political Resistance

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Artists and the Front Lines of Political Resistance

April M. Short

"There’s no us versus them -- there’s just us. Everybody in the world is us."

Shepard Fairey’s voice rings out over a haunting Damned Anthem cover of the Muse song "Uprising," as images of recent protests in the US flash across the screen at the beginning of the trailer for a new feature-length documentary, "The Art of Protest." It is a montage of the scenes that have come to define American protests: police lined up in riot gear, a car that was dented after it sped toward a crowd, a woman with a bloodied face, men shouting and carrying Confederate flags, people cheering as a statue is torn down, climate activists carrying a large model of the Earth, a structure on... fire, and law enforcement aiming pepper spray and water cannons at people from behind shields and tanks.

The film, released for free to the public online in October, via the Rolling Stone website, is executive produced and distributed by Zero Cool films. The project was created by the anarchist artist collective Indecline and "Saving Banksy" director Colin Day. Indecline is responsible for many notorious art pieces, including the famed statues of a naked Donald Trump that popped up in cities across the country overnight prior to the 2016 election.

The film moves through a series of interviews with resistance artists from around the world, coupled with B-roll images of protests and art projects in the making. Its interview subjects range from Pussy Riot’s Nadya Tolokonnikova; to Jello Biafra, former Dead Kennedys frontman (and so many other punk rock artists that the filmmakers plan to convert unused footage into a short documentary dedicated to punk); to Black Panther Party’s artist Emory Douglas; to gonzo illustrator Ralph Steadman; to transgender porn star Buck Angel, and many more. Colin Day estimates the film team has interviewed at least 40 people.

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